They blend well with the interview clips, reenacted footage (which were either newly shot for this mini-series or cribbed from another History Channel doc - it's not specified) and CGI, creating an experience that feels a little more seamless as Blood and Glory progresses. The best of the bunch show events from the Civil War in a completely new light, as I'd imagine it might have felt to see original photos the first time around after all, photography as a medium was still in its infancy during the 1860s with reliable color film several decades away. Often fading in from true black-and-white or sepia-toned originals, these range from mediocre in quality (think of a colorized movie from 20-30 years ago) to outstanding. Not surprisingly, though, the main attraction of Blood and Glory: The Civil War in Color is.well, the colorized photos, and they mostly deliver the goods. Like most documentaries of this type, Blood and Glory strikes a good balance between historical research, educated guesses, and how certain elements of the conflict can still be felt today. ![]() Their time is divided neatly during Blood and Glory, though the scholars and historians usually do more of the general "heavy lifting" while those with a more personal connection offer broad recollections and personal anecdotes. Senator Carol Moseley-Braun scholars Allen Guelzo, James Oakes and George Rable and Civil War historians Richard Dreyfuss and Ben Stein. Army Generals David Petraeus and Colin Powell former U,S. Grant, and Confederate President Jefferson Davis) retired U.S. It's fairly effective as a whole, though not without one tonal overlap that hinders most war-related documentaries: a combination of hushed reverence for the slaughtered with a thinly-veiled fetish for the weaponry and destruction on display.įeatured participants include a few first-party descendants (including those of Frederick Douglass, General Ulysses S. Grouped together as two larger halves for this home video release (both versions running for 169 minutes total), Blood and Glory's summary of the war itself is hardly exhaustive but hits most of the major areas in modest detail. This doesn't mark the first time someone's attempted to bring the 150 year-old war to life in this manner, but it's the most visually ambitious to date. (Stay current with news that impacts communicators at Capitol Communicator, aired as a four-part mini-series on The History Channel last April, Blood and Glory: The Civil War in Color (2015) offers a look at one of America's most brutal conflicts with one crucial twist: more than 500 original wartime photographs were digitally scanned and colorized for this production, creating a more dramatic and accessible experience for newer and seasoned audiences alike. To learn more about the company that developed the show for the History Channel, click here. To learn more about History Channel’s Blood And Glory: The Civil War in Color, click here. To see more examples of her work, please visit her website. Humphries is currently a member of Sage Communications’ creative team as senior production designer, where she provides exceptional creative and marketing services to her clients. ![]() We are proud to see one of our own recognized for her significant role in recreating history – Congratulations, Deborah!” Her expertise and creativity helps set our team apart and gives us the ability to bring a vast array of creative services to bear for our clients. “Deborah is one of our top creative minds and her work on this groundbreaking project for the History Channel is a prime example of the caliber of individual that makes up our creative team at Sage. In today’s world, creativity is an integral part of what differentiates a business, and at Sage, we pride ourselves in fostering a culture that encourages the kind of imagination and originality that enables our team to innovate ideas from a broad array of backgrounds and experiences to deliver top-notch services to our clients,” said David Gorodetski, COO, Sage Communications, a Capitol Communicator sponsor. “Creativity is in our DNA at Sage Communications and is a big part of what makes our team one of the most outstanding in the business. The colorized photographs were produced by a global team of top colorization artists using state-of-the-art software to illustrate the story of the Civil War in spectacular detail. Humphries, who also is a senior production designer at Sage Communications, was contracted by Prometheus Entertainment of LA for the project and produced more than 25 images for the series, which incorporated upwards of 500 rare and compelling black-and-white Civil War images from exclusive government and private archives. Sage Communications reports that the work of Deborah Humphries is featured on the History Channel’s Blood And Glory: The Civil War In Color.
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